Master Koldo: The Ethical Kinkster Redefining BDSM | SNIFF Magazine Scent One

Mark Dunn
2025-12-22T07:17:00-08:00

From Santiago's suburbs to Barcelona's leather underground, Master Bearded Koldo has spent a lifetime finding himself at the intersection of desire and care. Now, as his short film The Busting Ritual heads to festival screens in Brussels and Athens, he's asking a question the kink world rarely entertains: can dominance be an act of kindness?

Master Bearded Koldo, Chilean-born, Barcelona-based content creator, adult performer, and one of the most distinctive voices in European queer fetish culture, has been doing exactly that. In our extended conversation for SNIFF's debut issue, Scent One, he arrives not as the thundering hypermasculine Dom his reputation might suggest, but as a man in the middle of a thoughtful, genuinely surprising evolution.

"I've been joking with my friends these past weeks that I am not very identified with the alpha masculine master anymore," he admits with a directness that is characteristically his own. "I've been meditating on something new for myself and want to bring a sense of kindness to my play. I mean, I still feel very Alpha, but I'm very interested now in communicating how to practice proper BDSM."

"The process of exploring and revealing that for them is a very kind act. If you can carefully and caringly bring it out, it's purifying in a lot of ways for both participants."

Master Bearded Koldo — SNIFF, Scent One

An ethical kinkster, always

Long before the language of consent and aftercare entered mainstream discourse, Koldo was operating by a code he calls that of the "ethical kinkster", a term he uses not as a badge but as a genuine framework for how he moves through the BDSM world. For him, the Dom/sub dynamic is paradoxical in the most profound way: the act of imposing pain, restraint, and objectification is, when practiced with full attentiveness, an act of extraordinary care.

He illustrates this with a story about a former client whose fetish for trampling traced all the way back to watching high school athletes train, a secret fantasy planted in adolescence that he carried, unexpressed, for years. "That was one of those moments in his youth that planted the seeds of his fetish," Koldo recalls. The way he tells it, you understand that for him, uncovering that origin story and helping someone live out that long-held fantasy is less about performance and more about archaeology, carefully excavating something buried and finally giving it light.

From Chile to Barcelona: three awakenings

Koldo traces his journey through what he describes, with characteristic dry wit, as three "triggers." The first came long before he arrived in Europe, a live clip of Mike Patton performing with Faith No More in Chile, watched when Koldo was eleven years old. Patton crouching at the edge of the stage, mouth open, urging the crowd to spit on him. "For me it was heaven," Koldo says. "A very nasty heaven." He credits Patton not just with sparking his first fetish awakening but with his coming out as a gay man, a double debt he acknowledges with characteristic warmth: "Thank you, stud."

The second trigger came when he left Chile nine years ago for Barcelona, a city that, at the time, felt like stepping through a portal. The first night he entered a leather club, a hairy muscle man raised his arm and a stranger stepped in to lick his armpit. "This was another fetish awakened," he says simply. The city had done what cities do for those who move toward rather than away from themselves.

The third came during the pandemic, in the first sessions where he began testing his developing dominant side. A submissive man asked mid-session, "Am I doing it good?" Koldo's reply was measured and firm: no, you're not, do better. The silence that followed felt, in the moment, like a mistake. It wasn't. "That was exactly what the guy wanted to hear," he reflects. "I thought: maybe I'm good at this."

"My first crush as a gay man was Mike Patton from Faith No More. Not only did you help me in my first coming out as a gay man, but you also contributed to my second coming out as a kinkster."

Master Bearded Koldo — SNIFF, Scent One

The photoshoot & The Busting Ritual

For SNIFF's debut issue, Koldo collaborated with American photographer and The Male Muse publisher Mark Alan on an exclusive editorial photoshoot, one of several visual collaborations that anchor the magazine's first scent. Mark Alan, based in southern Spain, has spent recent years building a body of work that sits precisely at the crossroads of fine art male portraiture and erotic expression, making him the natural lens through which to render Koldo's particular brand of charged, thoughtful masculinity.

Beyond the still image, the two also produced The Busting Ritual, a film that has since been accepted to both the Brussels Porn Film Festival and the Athens Porn Film Festival, placing it among a growing wave of work that refuses to separate the erotic from the artistic. Festival acceptance at both events signals more than niche recognition; it marks Koldo's emergence as a filmmaker whose work is being taken seriously by curators of queer cinema.

Serenity, power & what comes next

What makes Koldo compelling in this moment is not just the work but the willingness to let the philosophy evolve in public. He is a man who has spent years wearing the armor of the hypermasculine master and who is now, deliberately and without apology, setting some of that armor down, not to abandon power but to wield it more consciously. The leather stays. The beard stays. The command stays. What's shifting is the interior weather, toward something quieter, more curious, more openly tender.

He calls it serenity. The kink world will need to figure out what to do with that.

Read the full interview in SNIFF, Scent One

Available now in print and in an expanded digital edition with 100+ additional uncensored images. Published by The Male Muse Publishing.